“We are very proud as a small Munich software house to be granted such a notable international recognition for our work,” said Neubäcker, receiving the award together with his three partners in Los Angeles. Steinberg have simply given it the bigger, better, faster, more treatment. Cubase Pro was already a powerhouse of an application. He also thanked the Recording Academy, the Celemony team, the company’s many friends and, of course, all the users of the software Melodyne. And, as mentioned earlier, with Cubase 12’s new donglefree, licensing system, you are also soon going to be able to download a free, 30day trial version before committing to a purchase. In his acceptance speech, Peter Neubäcker alluded to his philosophical and mathematical background, explained his own, singular vision of music, and described the beginnings and the spirit of the company. After all, Celemony has blazed open a radically new avenue of access to musical editing that for ten years now has made it impossible to imagine music production without it. Host and Grammy manager James McKinney opened with the legendary question posed long ago by Melodyne inventor Peter Neubäcker: “What does a stone sound like?” A truly philosophical approach to the world of sound technology, far away from the purely technical thought-processes that typically prevail in the industry, and yet it is for precisely that reason Celemony was chosen to receive this year’s Technical Grammy. If you are setting up a small home recording studio, bands, and songwriters, Cubase Element is ideal. Cubase Elements is the most limited version of the Cubase DAW programs. The first of the Special Merit Awards to be presented went to the Munich software house Celemony. Sources: Related posts: What Is Cubase Elements Cubase Element is the most basic DAW from Steinberg. And perhaps also the strangest,” commented Melodyne inventor Peter Neubäcker. I believe our company is the smallest ever to have received a Technical Grammy. “This is an honor none of us ever expected. The highest award in the music business is given in recognition of “contributions of outstanding technical significance to the recording field” and is equivalent to an Oscar in the film industry. There may be a lot more relevant information in there, though.On February 12, 2012, we have been honored by the Recording Academy as the first German software manufacturer with a Technical Grammy. And so, also of the resynthesised sample that you create from it.īut, if you are sampling samples or presets, you won't have ownership rights of the derivatives nor use rights if you don't already have a license. And if you sampled a non-sampled sound that was not a preset, then I believe you would have ownership rights of that sample. You could use this to create additional variations of any samples that you have the right to use, though. But the output is ultimately a sample of the sound that has been synthesised based upon the sample. Yes, you can feed it samples of a drum machine and it can create variations based upon it. However, I don't think this answers your purposes. It can also be used to create additional variations of a mono sample to give you a stereo sound. It imitates samples that it has either analysed previously, or uses its general coding and data on percussion to generate new sounds based on an individual sample selected for analysis. In practice, you get random percussion sounds and you can keep going until you like it. Steinberg Cubase Elements 8 Steinbergs Cubase Elements 8 offers the world of Cubase in a. analyses the selected sample and generates a new sound that takes inspiration from it. I thought that it was only analysing the samples currently loaded and tweaking them. You can generate entirely new drum sounds based on the prior data (lots of drum samples) that had been analysed by DrumGAN (Generative Adversarial Network). Click to expand.Okay, so there is something pretty major that I hadn't realised.
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